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For example, the Scene Navigator allows a writer to color-code each A, B and C arc in his script, scene by scene. Of course, the precise way a writer utilizes The Navigator will vary by habit and personality. In Final Draft 9, they’re all part of the same family, working together to provide a powerful story map for each and every script. By consolidating these tracking features into the Navigator interface, these tools are no longer relegated to live lonely lives as peripheral features only explored by the most determined of users.

It’s Final Draft 9’s presentation and execution of these features that stands out. Advanced controls for story organization are not an uncommon addition to script-formatting programs. However, for writers that do want the chance to breakdown their plots and characters with an engineer’s precision, Final Draft 9 houses the most intuitive, powerful interface yet available in the series: the new “Navigator” interface.īut particularly impressive is Final Draft 9’s ability to actually make these features a natural part of the writing experience. Many a writer can simply indulge in the new visual and practical features of Final Draft 9, without ever diving into the program’s impressively detailed story tracking abilities. One of Final Draft’s strengths has always been that it’s a program as simple or as complex as the user wants. Above all, Final Draft 9 understands writers: it’s a program that has managed to distill its functionality to a core set of the most useful details. These features together are more than simply singular updates to the program’s word processing abilities-they’re born out of a thoughtful assessment of how professional screenwriters use Final Draft. Final Draft 9 sports an upgraded spell-checker, the ability to trade out character names in a completed script, and can also highlight character dialogue for table reads and add watermarks for distributed scripts. No matter your operating system, across platforms, the visual nooks and crannies of Final Draft have improved dramatically.įinal Draft 9 is also peppered with varied features that define the core program from its predecessors.

Both versions have added the ability to color-code separate revised pages. The Windows version sports an updated interface with more intuitive menus and buttons. Full-screen mode has been added to the Macintosh version, along with Retina display compatibility. This time around, Final Draft does it all with considerably more visual and functional panache. For many Hollywood screenwriters, the program is a near permanent fixture on their screens.Īt its core, Final Draft 9 does what the program was always designed to do: make formatting as seamless as possible, sparing the writer the arduous task of manually manipulating spacing and margins. The term “Industry-standard” is often heard in the same sentence as Final Draft. Originally introduced in 1991, the program is among the longest surviving script-formatting programs and is today, undeniably, the most popular. In recent versions, it also included additional templates for stage plays, manuscripts, graphic novels and studio-specific variations for film, television and theater. For those new to screenwriting, Final Draft is a word processor designed to format screenplays for movies and television.